Essay on The Doni Tondo Michelangelo - 1044 Words

In the contemporary art world, where artists bring interdisciplinary elements and combine them in a mixture of genius and creativity, three and two-dimensional pieces are by no means exclusive in nature. The Donni Tondo, Michelangelo Buonarrotis tempera on panel with oil flourishes, although characteristically High Renaissance, projects a legacy of exploration and growth that may appeal to contemporary artists whose artistic sensibilities favor the combination of artistic platforms. Michelangelo’s portrayal of The Holy Family embodies the essence of his artistic orientations, and provides us with a glimpse into the mind of such a multifaceted man. His genius and excellent craftsmanship seem to exhibit his artistic might and abilities in†¦show more content†¦That being said, with the Donni Tondo, we see Michelangelo as a confident and assured young artist, but not immune to the art movements of the time. Influences from Leonardo Da Vincis cartoon for The Virgin and Chi ld with St. Anne are evident (Figure 3 and 4). In fact, the young Michelangelo must have felt quite intimidated by Leonardos seasoned artistry and intellect. Although composition-wise, the painting features a similar pyramid arrangement to that of the cartoon, as well as an analogous siting placement, it is important to note how unlike Leonardo, Michelangelo was. While Da Vincis sfumato softened harsh lines by allowing tones and colors to shade gradually into each other (Figure 5); Buonarrotis hatching and crosshatching produced the chiaroscuro effect in a much bolder and aggressive way (Figure 6). Furthermore, Michelangelos colors were vibrant from the tempera, and bright and bold due to the oil flourishes, whereas Leonardos palette evoked a dark and mysterious atmosphere. By looking at Michelangelos work, we take a glimpse into the mind of the man; every piece is expressive of his faculties. In the Doni Tondo, we can see a young artist, proving himself once again through the use o f the old masters tricks. His distinct maniera, (Italian for manner or style) soaks up Leonardos influences and projects it with supreme individuality and uniqueness. HisShow MoreRelated Michelangelo Essay594 Words   |  3 PagesMichelangelo Michelangelo Buonarrotti, although considered by many a Florentine, was actually born in Caprese, Italy in 1475. Michelangelo was an inspired artist of the Renaissance period. He and Leonardo DaVinci were considered to be the two greatest figures of this highly artistic movement. Michelangelo was a highly versatile artist and was involved in sculpting, architecture, painting, and even poetry. .At the age of 13, he was apprenticed to Domenico Ghirlandaio, who at the time wasRead MoreThe Controversial Restoration of the Sistine Chapel849 Words   |  3 Pages The restoration of the Sistine Chapel in the 1980’s and 90’s was very controversial. This issue began because Michelangelo, the painter of the Sistine Chapels ceiling, did the painting as a fresco. This means that the paint was absorbed in the wall, thus becoming part of the wall itself. Like many other walls and building, over time they began to crack and deteriorate. During the time of the consideration of t he restoration of the chapel, the fresco had been up for over 500 years. As one would expectRead MoreThe Art of Michelangelo Essay1685 Words   |  7 Pagestown of Caprese, Italy, an artist was born by the name Michelangelo Lodovico Buonarroti Simoni. Michelangelo was born second of seven brothers to a small family outside of Florence, Italy. His fathers name was Leonardo di Bunnarotto and his mothers name was Francesca Neri. His father worked as the Mayor of Caprese which he considered their own town a part of the city of Florence. His mother was frequently ill, and died when Michelangelo was six. He and his six brothers were then left with anRead More Nicolas Poussin Essay2850 Words   |  12 Pagespainters of the High Renaissance. The Holy Family on the Steps has a pyramid like affect with the central figures. This is believed to have come from Poussins study of The Canigiani Holy Family, Raphael; Holy Family with Saints, Palma Vecchio; Doni Tondo, Michelangelo; and Madonna and Child with St. Anne, Leonardo (Hibbard, 51). From studying these painting you see that Poussin choose a broader based triangle for his group and a lower point of view. The closest association to Poussin’s triangular composition